Britney Spears Cd Oops I Did It Again

2000 studio album by Britney Spears

Oops!... I Did It Again
Britney Spears - Oops!... I Did It Again.png
Studio album past

Britney Spears

Released May 3, 2000 (2000-05-03)
Recorded 1999–2000
Studio
  • tertiary Floor
  • Avatar Studios
  • Battery Studios
  • Electric Lady Studios, New York City
  • E Bay Recording, Tarrytown
  • Pacifique Recording Studios, Hollywood
  • Rarc Studios, Orlando
  • Cheiron Studios, Stockholm
  • La Tour-de-Peilz, Switzerland
Genre
  • Pop
  • dance-pop
  • teen pop
Length 44:37
Label Jive
Producer
  • Timmy Allen
  • Larry "Stone" Campbell
  • Barry J. Eastmond
  • Jake
  • Robert "Esmail" Jazayeri
  • Rodney Jerkins
  • David Kreuger
  • Robert John "Mutt" Lange
  • Kristian Lundin
  • Steve Lunt
  • Per Magnusson
  • Max Martin
  • Rami
  • Paul Umbach
  • Eric Foster White
Britney Spears chronology
...Babe One More Time
(1999)
Oops!... I Did It Over again
(2000)
Britney
(2001)
Singles from Oops!... I Did It Again
  1. "Oops!... I Did It Again"
    Released: April 11, 2000
  2. "Lucky"
    Released: July 25, 2000
  3. "Stronger"
    Released: October 31, 2000
  4. "Don't Allow Me Be the Last to Know"
    Released: March 12, 2001

Oops!... I Did Information technology Once again is the 2d studio album by American vocalist Britney Spears released on May three, 2000, through Jive Records. Though much in the vein of her debut album ...Infant One More Time (1999), information technology is a pop, trip the light fantastic toe-pop, and teen pop record, the album incorporates a more funkier and R&B sounds.[i] Contributions to the album'south production came from a wide range of producers, including Max Martin, Rami Yacoub, Per Magnusson, David Kreuger, Kristian Lundin, Jake Schulze, Darkchild, and Robert John "Mutt" Lange.[2]

Upon its release, Oops!... I Did It Again received positive reviews from music critics, who praised its production, sonic quality and Spears' vocal performance. The anthology became a massive commercial success, debuting at number 1 in over fifteen countries while peaking inside the meridian ten in various others. In the U.s.a., it debuted at number one on the Billboard 200, with first-week sales of ane.39 million copies, becoming the fastest selling album by a female artist since Nielsen SoundScan began tracking indicate-of-auction music purchases in 1991.[3] This record was broken fifteen years later on by Adele's 25, which sold over 3.38 one thousand thousand copies in its beginning week of release.[4]Information technology became Spears' second consecutive album to be certified Diamond by the Recording Manufacture Association of America, cogent sales of over ten 1000000 copies in the United states of america, making Spears at age eighteen the youngest artist to have multiple diamond albums.[5] With worldwide sales of over twenty million copies,[half dozen] Oops!... I Did Information technology Again is i of the best-selling albums of all-fourth dimension.

Iv singles were released to promote the album. Its title track was commercially successful in a number of territories, reaching number one in fifteen countries and peaking at number nine on the The states Billboard Hot 100. Its 2nd single, "Lucky", peaked at number one in Republic of austria, Germany, Sweden and Switzerland, within the summit ten in Australia, Belgium, Canada, Denmark, Ireland, Italy, the Netherlands, New Zealand, Norway, Poland, Romania and the United Kingdom, and at number twenty-three on the US Billboard Hot 100. Its third single, "Stronger", reached the top ten in Republic of austria, Finland, Germany, Poland, Romania, Sweden, Switzerland and the United Kingdom, and peaked at number xi on the U.s.a. Billboard Hot 100. "Stronger" became the highest-selling single off the album, receiving a Gold certification in Commonwealth of australia, Denmark, Germany, New Zealand, Sweden, and the Usa. Its final single, "Don't Allow Me Be the Last to Know", was moderately successful on the charts, peaking at number ane in Romania, and inside the top ten in Austria, Poland, and Switzerland, but failed to chart on the US Billboard Hot 100. To promote the album, Spears performed on several telly shows and award ceremonies, including a controversial performance at the 2000 MTV Video Music Awards. She likewise was the host and musical guest for the first time on Saturday Night Alive. Furthermore, Spears embarked on a concert tour, entitled the Oops!... I Did It Once again Tour, starting on June 20, 2000 and ending at the Stone in Rio festival on Jan 18, 2001.

Recording and production [edit]

"When I did the get-go album, I had just turned xvi. I mean, when I look at the album embrace, I'm like, 'Oh, my lordy.' I know this side by side album's going to be totally different--especially the textile. I only got finished recording the first six tracks in Sweden ii months ago, and the fabric is so much more funkier and edgier. And, of course, it'southward more mature because I've grown equally a person too."

—Spears on the progression of her material for the album.[vii]

After vacationing for vi days following the completion of the ...Baby One More Time Tour in September 1999,[8] Spears returned to New York City to begin recording songs for her next anthology; the majority of the recording took place in November. It featured contributions from Max Martin, Eric Foster White, Diane Warren, Robert Lange, Steve Lunt, and Babyface.[ix] The songs "Oops!... I Did Information technology Again", "Walk on By" (later covered by Gareth Gates), "What U See (Is What U Get)", and "Don't Go Knockin' on My Door" were the first to be recorded at Martin'southward Cheiron Studios in the kickoff calendar week of November; followed by "Stronger" and "Lucky", which were finalized (along with the championship track) in January 2000. Spears recorded "Don't Let Me Be the Terminal to Know" at Robert Lange's villa in Switzerland in Dec 1999; Lange produced the song.[10] "Where Are You At present" was an outtake from ...Infant One More Time. "Girl in the Mirror" and "Can't Brand You Love Me"'s instrumental runway and melody were recorded in the autumn of 1999 in Sweden, with Spears recording the vocals in mid-January at Parc Studios in Orlando, Florida.[xi] [12] Spears returned to New York, linking up with producer Steve Lunt to record Diane Warren's "When Your Eyes Say It" at Battery Studios on Friday, Jan 28, 2000, which preceded her TRL appearance that twenty-four hours. "1 Kiss from You" was also recorded at Battery Studios but was later finished at tertiary Flooring in New York City. Spears also recorded the last track for the album "Dear Diary" which would later exist completed at East Bay Recording in Tarrytown, New York and at Avatar Studios in New York Metropolis. Another vocal recorded during these sessions was "Heart". Her embrace of "(I Can't Go No) Satisfaction" was recorded with Rodney Jerkins at Pacifique Recording Studios in Hollywood, California during February 24–26, 2000 afterwards attending the 42nd Almanac Grammy Awards.[13]

By Jan, the then-untitled album was halfway to completion; Spears had worked on information technology primarily in the United States and Sweden, and finalized material in New York City.[9] She was heavily pressured later on ...Baby Ane More Time 'due south huge commercial success, stating: "It'south kind of hard post-obit ten 1000000, I have to say. But after listening to the new material and recording it, I'thousand really confident with information technology."[14] Upon the release of Oops!...I Did Information technology Again, Spears said: "I mean, of course in that location's some pressure", and added: "Merely in my opinion, [Oops!] is a lot ameliorate than the first album. Information technology'south edgier – it has more of an attitude. It'due south more me, and I remember teenagers will chronicle to it more." Geoff Mayfield, director of Billboard charts, added that the determination to release Oops!... I Did It Again less than a year and a half after Spears' debut amounts to "very smart timing. My philosophy is when y'all take a immature fan base, get 'em while they're hot."[xv]

Music and lyrics [edit]

Oops!... I Did Information technology Again was considered as a sequel to Spears' debut album, ...Baby Ane More Time (1999),[1] percolating with a carefully measured blend of familiar pop, funk, R&B and ability balladry.[16] Spears said during an interview that the album has a more mature, R&B-flavored pop sound. "It'south not something I changed purposefully", Spears said of the album's sound and added: "Information technology's just something that kind of changed on itself with me beingness older. My voice has changed a picayune bit and I'm more confident, and I think that comes across on the fabric."[7] I of its producers, Rodney "Darkchild" Jerkins talked well-nigh working with Spears on a Rolling Stones comprehend, stating: "It'southward going to stupor everybody", adding: "It has flavors of the original, just it's a directly 2000 version — new to the ear. Which I recollect is cool, because people who appreciate that song are going to dearest information technology. And I fabricated it so new and young that the young kids that dearest Britney are going to beloved information technology. It's going to grab both a mature and young audition."[17] Spears worked with Robert "Mutt" Lange on "Don't Permit Me Exist the Concluding to Know", telling MTV News: "When yous hear the song, it's so pure and delicate. It'due south just one of those songs that pull you in", and added: "I remember they wrote information technology 'particularly for me, because the lyrics of the song, if you really listen … they're more of what I tin relate to, 'cause they're kind of young lyrics, I think. I don't think Shania would probably sing some of the words that I'm saying."[17]

The title track and opening song, "Oops!... I Did It Again", was compared to her debut unmarried, "...Baby One More Time" (1998), featuring a slap-and-popular bassline, synthesizer chord stabs and a mechanized beat. Lyrically, the vocal sees Spears alarm to an overeager prospective lover: "Oops, you think I'g in beloved/That I'm sent from above — I'one thousand non that innocent."[18] The vocal likewise breaks down for a spoken-word interlude, involving a line from the pic Titanic (1997).[18] The 2nd rails "Stronger" is a synthpop[19] and R&B-infused track,[17] which is lyrically a declaration of independence, where Spears leaves a partner who treats her like belongings.[20] The line "my loneliness ain't killing me no more than" makes reference to the poesy "my loneliness is killing me" from her song "...Baby 1 More Time".[17] Some other R&B-infused track, which also adds a bit more than funk to the mix,[17] "Don't Get Knocking on My Door" finds Spears confidently forging alee later on a breakup.[xx] The quaternary track, a cover of the Rolling Stones' "(I Can't Get No) Satisfaction", begins with mushy guitar plucking and breathy coos, until a dry, crackling lockstep is thrown down, turning the song into an urban stomp.[21] The trip the light fantastic-pop version also jettisons the song's final poesy and adds some new lyrics[17] ("how white my shirts could be" becomes "how tight my skirt should exist").[22] "[It] was my thought [to tape the vocal]", Spears said. "I was just similar, 'I like this song,' and I think it will be a actually cool combination working with [hip-hop producer] Rodney [Jerkins] and doing a really funky vocal similar that."[13] The fifth track, "Don't Let Me Be the Last to Know", was co-written by land-pop singer-songwriter Shania Twain and her so-husband, producer Robert "Mutt" Lange, who also produced the runway.[17] The carol, which boasts a slinky keyboard riff and Lange's characteristically lavish product, finds Spears allowing a bit of country twang into her vocals as she begs a lover to reveal his feelings: "My friends say you're into me ... only I need to hear it straight from y'all", she sings.[17]

The sixth track "What U Come across (Is What U Get)" demands respect by rebuking a jealous partner,[20] while the seventh track, "Lucky", is a heart-rending tale of a Hollywood starlet'south loneliness, proving that fame can be empty.[20] "If there'due south nothing missing in my life/Then why practice these tears come at night?", she asks.[19] "School vanquish" is the theme of "One Kiss from Yous",[twenty] a track that has a reggae-style beat out and lyrics about the feelings of falling in dear, and the quickness of information technology,[23] with Spears cooing that after just one buss she sees her unabridged future with her lover.[24] The ballad "Where Are You At present" talks about wanting to know where a previous love is, and what that person is up to, so that she tin finally let them get and detect closure.[ citation needed ] Lines on "Can't Make You Love Me", a Europop song,[21] country that fancy cars and money pale in comparison to true love,[20] with Spears singing: "I'thousand just a girl with a crush on you."[21] The mid-tempo, synth-backed "When Your Optics Say It", written by songwriter Diane Warren, combines a string department with a loping hip hop beat,[17] while Spears makes her own songwriting debut on the modest, keyboard-driven carol "Dear Diary", which she said is autobiographical. On the track, she sings of wanting to become "so much more than friends" with a male child.[17]

Release and promotion [edit]

In tardily 1999, Spears promoted her upcoming album in Europe with live performances of her past songs. She appeared on Smash Hits in the Great britain.[25] In Italian republic, she did a brusk interview on the television show TRL Italy in early 2000.[25] and gave a surprise functioning in Paris in May 2000.[26] In Australia, Spears appeared on The House of Hits and Russell Gilbert Live on May xiii.[25] In Kingdom of spain, she gave an interview with El Rayo on September 8 and October 24.[25] Spears performed at large venues in the U.k., including Birmingham, the Wembley Loonshit in London, and the Manchester Evening News Arena. She was accompanied past NSYNC, who toured with her during a short Uk outing in October 2000.[26]

Oops!... I Did It Again was first released in Nippon on May 3, 2000, and was later on released in the United states on May 16. In the United states of america, Spears appeared on Saturday Dark Live on May 13, The Rosie O'Donnell Show on May xv, and Teen People'due south 25 Nether 25 on May 26.[27] On May 10, she was interviewed on Late Night with Conan O'Brien.[25] On May thirteen, Spears was both the host and musical invitee on NBC's Sat Nighttime Live. She as well performed on NBC's The This night Bear witness with Jay Leno on May 23.[28] Spears' held her post-TRL listening party, "Britney's First Listen", on May xvi, and was toast the inflow of her album on adjacent Tuesday's installment of TRL that started at 3:xxx p.m. (ET).[29] On May 14, she was at Times Foursquare studios for 2 hours of "Britney Alive" that started at noon.[29] Spears performed "Oops!... I Did It Once again" on MTV'southward All Access: Backstage with Britney that was broadcast on July 19, 2000.[25] On September 7, at the 2000 MTV Video Music Awards in New York Metropolis at the Radio City Music Hall, Spears gave a memorable live performance.[30] which included a embrace of the Rolling Stones'south hit single "(I Can't Get No) Satisfaction" (1965) and her own hit "Oops!... I Did It Again", released earlier that year. While she began her segment in a blackness suit, she shocked the audition and the media while, at only the age of eighteen, ripped it off to display a revealing, flesh-colored phase outfit with hundreds of strategically placed Swarovski crystals.[31] One month before the release of the album, Spears headed to Hawaii on Easter Sunday so she could tape a Trick television special titled Britney Spears in Hawaii. The gratis concert was held on the beach in front of the Hilton Hawaiian Village lagoon in Honolulu, Hawaii.[32] The Play a trick on concert event was intended to serve as a preview of Spears' Oops!... I Did It Once again anthology that features her twelve new songs.[32] Spears had on a month-long international promotional tour in support of Oops!... I Did Information technology Once more, and on May 2, she had a press event at Kokusai Forum Hall in Tokyo, and fabricated stops in both London and Hawaii.[33] Spears was also amidst the scheduled performers on the 42nd Almanac Grammy Awards, which aired on CBS at 8 p.m. (ET/PT).[34] She was also expected to appear on a Grammy-day TRL.[34]

The album's supporting tour, the Oops!... I Did It Over again Tour, visited North America, Europe, and Brazil equally part of Rock in Rio. On the Crazy 2k Tour, Spears introduced the songs "Oops!... I Did It Over again" and "Don't Let Me Be the Final to Know". On June 24, 2000, Spears was featured in a print and telly advertising entrada for Clairol's Herbal Essences shampoo line. In a special insurrection for Clairol, Spears recorded her own song for the brand called "I've Got the Urge to Herbal" that was featured in sixty-second radio spots and was role of a pre-concert video presentation for Spears'due south 50-urban center summertime concert bout, in which Herbal Essences was the tour sponsor.

Singles [edit]

"Oops!... I Did It Once again" was released every bit the lead unmarried from the album and achieved worldwide popularity. It became Spears'southward 3rd top-x striking single on the US Billboard Hot 100, peaking at number nine; however, in comparing to the huge success of her debut single "...Baby Ane More Fourth dimension", Jive Records considered "Oops!... I Did It Again" a modest thwarting.[36] The vocal peaked at number i on the US Mainstream Meridian xl,[37] property the record for the well-nigh radio additions in one day. "Oops!... I Did It Again" peaked atop the charts in Australia, Belgium, Canada, Italy, holland, New Zealand, Norway, Poland, Romania, Espana, Sweden, Switzerland and the United Kingdom.[38] An accompanying music video for "Oops!... I Did It Again" saw Spears on Mars in now-iconic cerise shiny catsuit, while she is visited by an American astronaut who hands her the fictional Heart of the Ocean jewel which Rose threw into the body of water at the end of Titanic.[39]

The anthology's second single, "Lucky", was released on July 25, 2000 and received positive response from the music critics, who considered ane of her best offerings from the album. Commercially, "Lucky" topped the charts in Austria, Deutschland, Sweden and Switzerland, while reaching number v on the UK Singles Chart.[40] In the United States, "Lucky" only managed to height at number twenty-three on the Billboard Hot 100 nautical chart and at number nine on the Mainstream Meridian 40.[36] The "glittery" music video sees Spears equally the narrator and an extra named Lucky, who is a melancholy motion-picture show star and shows her conflicted relationship to fame.[41]

The 3rd single, "Stronger", was released on Oct 31, 2000 and became the album's second highest-charting single in the United states, peaking at number eleven on the Billboard Hot 100 and number one on the Hot Single Sales.[36] It reached number seven on the UK Singles Chart.[42] Its music video sees Spears catching her young man cheating on her at a futuristic turntable nightclub, driving off, getting in a wreck and singing in the pelting,[41] while the chair sequence in the video was inspired past Janet Jackson'south video for "The Pleasure Principle".[43]

The quaternary and final single, "Don't Let Me Be the Last to Know", was released on March 12, 2001 and is one of Spears' favorite tracks of her career. In the U.s.a., the song performed well below expectations, failing to chart on the Billboard Hot 100 nor the Mainstream Top xl. However, the song attained success in Europe, topping the Romanaian Top 100 and peaking inside the top ten in Austria, Poland and Switzerland, while just missing the pinnacle ten in Frg, Republic of ireland, Sweden and the United Kingdom, peaking at number twelve in all of them.[44] The music video was considered besides racy at the time, portraying Spears in love scenes with her fictional boyfriend, played by French model Brice Durand.[45]

"You lot Got It All" received a promotional release in France in May 2000. A promotional CD single for "When Your Eyes Say It" was released in the United Kingdom in January 2001.[ commendation needed ]

Critical reception [edit]

Professional person ratings
Aggregate scores
Source Rating
Metacritic 72/100[47]
Review scores
Source Rating
AllMusic [1]
Billboard favorable[16]
Christgau'due south Consumer Guide (choice cut) [48]
Amusement Weekly B[21]
Los Angeles Daily News [49]
MTV Asia 8/10[l]
NME 8/ten[19]
Rolling Rock [22]
Salon favorable[51]
Sonic.cyberspace [52]

Oops!... I Did It Again received favorable reviews from music critics. At Metacritic, which assigns a normalized rating out of 100 to reviews from mainstream critics, Oops!... I Did It Over again received an boilerplate score of 72, based on 12 reviews, indicating "generally favorable reviews".[53] Giving the album iv out of five stars, Stephen Thomas Erlewine of AllMusic noted that the album "has the aforementioned combination of sweetly sentimental ballads and endearingly gaudy dance-pop that made 'One More Fourth dimension'," but remarked that, "Fortunately, she and her product team not just have a stronger overall fix of songs this fourth dimension, but they also occasionally go carried abroad with the same bewildering magpie aesthetic, [...] giv[ing] the anthology character autonomously from the well-crafted dance-pop and ballads that serve every bit its center. In the end, it's what makes this an entertaining, satisfying mind."[1] Billboard magazine wrote that "'Oops!...' indicates that she's developing a soulful border and emotional depth that can't be conjured with a glass-shattering notation," praising the album for consistently cast[ing] Spears as a young woman coming to terms with her inner power—and that's a darn good message to offer an impressionable audience."[16] Amusement Weekly's David Browne gave the anthology a B-rating, writing that the anthology "reminds united states of america once again that the best new pop tin can be a blast of cool air in a stifling room."[21]

Rob Sheffield of Rolling Stone gave the album a three-and-a-half out of five stars rating, calling the anthology "fantastic pop cheese, with much better vocal-manufacturing plant hooks than 'N Sync or BSB get", besides noting that "the smashing affair virtually Oops!, under the cheese surface, is complex, fierce and downright scary, making her a true child of rock & curl tradition."[22] A writer of NME reported that "she'south modern-day pop perfection realised in a nigh, human being form", commenting that "she's done it again."[19] Lennat Mak of MTV Asia named it "a brilliant 2nd album", writing that Spears "is armed with a more mature and seasoned pop star look, stronger and poppier songs, and of course, extensive media exposure."[50] Andy Battaglia of Salon called the anthology "a masterpiece of sorts not for its bulletin but for the mode information technology applies the conventions of the pop-musical medium."[51] Website The A.V. Club was more mixed, calling information technology "a joyless flake of redundant, obvious, competent cheese, recycling itself at every turn and soliciting songwriting from such soulless hacks as Diane Warren and assorted Swedes."[54]

Accolades [edit]

Commercial functioning [edit]

In the United States, Oops!... I Did Information technology Again reportedly sold 500,000 copies in its first mean solar day of release.[60] It debuted at number one on the Billboard 200 chart, with first-week sales of 1,319,193 copies.[61] [62] [63] With its success, Spears held the record for the highest first-week sales by a female artist.[64] This record was held for fifteen years, only to exist surpassed in November 2022 by the album 25 by Adele, which sold over three.38 one thousand thousand albums in the Us in its first calendar week.[iv] The album savage to number two in its second week, with additional sales of 612,000 copies.[65] It held this position for fifteen sequent weeks.[66] [67] By its fifth week of availability, Oops!... I Did It Again had sold over three million copies and had passed five million copies past August.[68] On its seventeenth week on the nautical chart,[69] it was certified septuple Platinum past the Recording Manufacture Clan of America (RIAA) for shipments of seven million units.[seventy] [71] The album spent eighty-four weeks on the Billboard 200, thirty-one weeks on the Canadian Albums Chart, and two weeks on the U.s.a. Catalog Albums.[72] Oops!... I Did Information technology Again debuted at number eighty-two on the European Peak 100 Albums, and quickly peaked at number one;[73] it sold over iv million copies inside the continent, being certified four-times Platinum past the International Federation of the Phonographic Industry.[74] Oops!... I Did It Once more reached number ii on the UK Albums Chart,[38] selling 88,000 copies in the offset week of release; information technology remained in the top five for four weeks. The anthology debuted at number one in Canada, selling 95,275 copies in its first calendar week.[75]

Information technology topped the French Albums Chart[76] and the High german Offizielle Top 100, also being certified triple Platinum by the British Phonographic Industry (BPI),[77] double Gold past the Syndicat National de l'Édition Phonographique (SNEP)[78] and triple Platinum by Bundesverband Musikindustrie (BVMI),[79] denoting shipments to retailers of 900,000 units, 200,000 copies sold and 900,000 units shipped, respectively. Additionally, the album debuted at number two on the Australian Albums Chart, and spent x weeks in the summit twenty;[eighty] it became the fourteenth highest-selling of 2000 in the country and was certified double Platinum by the Australian Recording Industry Association (ARIA) the following yr after shipping 140,000 copies to retailers.[81] [82] Oops!... I Did It Over again opened at number three on the New Zealand Albums Chart and was certified Gold afterward just one calendar week on the chart.[83] The Recording Manufacture Clan of New Zealand (RIANZ) ultimately certified it double Platinum.[84] Oops!... I Did Information technology Again became the third best-selling anthology of 2000 in the Usa, selling 7,893,544 albums according to Nielsen SoundScan[85] and quaternary acknowledged anthology according to Billboard Twelvemonth-End of 2000.[86] On January 24, 2005, the anthology was certified decuple Platinum (Diamond) past the Recording Industry Association of America (RIAA).[87] [88] Too, the album landed at number twenty-7 on BMG Music Club all-fourth dimension all-time-sellers list with 1.21 meg units, backside Shania Twain's The Woman in Me (1.24 1000000) and Nirvana's Nevermind (one.24 million).[89] Equally of July 2009, the anthology has sold 9,184,000 copies in the Us, excluded copies sold through clubs, such equally the BMG Music Service.[xc] Worldwide, Oops!... I Did It Once more sold 2.5 meg copies in its first calendar week (second highest kickoff week sales past a female artist worldwide) and sold 15 million copies by the end of the year. It was the acknowledged female album and tertiary best selling album of 2000. The album has sold 20 one thousand thousand copies worldwide.[6]

Controversy [edit]

Musicians Michael Cottril and Lawrence Wnukowski filed a copyright case against Spears, Zomba Recording Corporation, Jive Records, Wright Entertainment Group and BMG Music Publishing, claiming Spears' "What U See (Is What U Become)" and "Can't Make You lot Love Me" are "almost identical" to one of their songs. Cottrill and Wnukowski claimed that they authored, recorded and copyrighted a song called "What Yous Come across Is What You Go" in 1999 to one of Spears' representatives for consideration on a time to come anthology, though it was rejected.[91] The instance was later dismissed later it was ruled that they lacked sufficient testify and that at that place "weren't enough similarities between the two songs to prove copyright infringement."[92]

Runway listing [edit]

Oops!... I Did It Again  – North American edition[93]
No. Championship Writer(s) Producer(s) Length
one. "Oops!... I Did It Again"
  • Max Martin
  • Rami Yacoub
  • Martin
  • Yacoub
three:31
2. "Stronger"
  • Martin
  • Yacoub
  • Martin
  • Yacoub
3:23
iii. "Don't Become Knockin' on My Door"
  • Martin
  • Yacoub
  • Jake Schulze
  • Alexander Kronlund
  • Jake
  • Yacoub
3:43
four. "(I Tin can't Get No) Satisfaction"
  • Mick Jagger
  • Keith Richards
Rodney Jerkins 4:23
5. "Don't Permit Me Be the Terminal to Know"
  • Robert John "Mutt" Lange
  • Shania Twain
  • Keith Scott
Lange 3:50
6. "What U Run into (Is What U Get)"
  • Per Magnusson
  • David Kreuger
  • Jörgen Elofsson
  • Yacoub
  • Magnusson
  • Kreuger
  • Yacoub
3:36
7. "Lucky"
  • Martin
  • Yacoub
  • Kronlund
  • Martin
  • Yacoub
three:26
viii. "1 Kiss from Yous" Steve Lunt
  • Lunt
  • Larry "Rock" Campbell
three:23
9. "Where Are You Now"
  • Martin
  • Andreas Carlsson
  • Martin
  • Yacoub
4:39
10. "Can't Brand You lot Love Me"
  • Kristian Lundin
  • Carlsson
  • Martin
  • Lundin
  • Jake
3:17
xi. "When Your Eyes Say It" Diane Warren
  • Lunt
  • Robert "Esmail" Jazayeri
  • Paul Umbach[a]
four:29
12. "Dearest Diary"
  • Britney Spears
  • Jason Blume
  • Eugene Wilde
  • Timmy Allen
  • Barry J. Eastmond
ii:46
Total length: 44:37
Oops!... I Did Information technology Again  – International edition[94]
No. Title Writer(due south) Producer(s) Length
12. "Girl in the Mirror" Elofsson
  • Magnusson
  • Kreuger
iv:06
xiii. "Love Diary"
  • Spears
  • Blume
  • Wilde
  • Allen
  • Eastmond
2:46
Total length: 48:24
Oops!... I Did It Again  – Asian edition[95]
No. Championship Writer(s) Producer(due south) Length
eleven. "When Your Eyes Say It" Warren
  • Lunt
  • Jazayeri
  • Umbach[a]
4:06
12. "Girl in the Mirror" Elofsson
  • Magnusson
  • Kreuger
3:36
13. "Yous Got Information technology All" Rupert Holmes Eric Foster White iv:43
xiv. "Dear Diary"
  • Spears
  • Blume
  • Wilde
  • Allen
  • Eastmond
2:46
Total length: 52:33
Oops!... I Did It Again  – Japanese, Australian, Mexican, Asian and UK special edition[96] [97]
No. Title Writer(s) Producer(s) Length
xi. "When Your Eyes Say Information technology" Warren
  • Lunt
  • Jazayeri
  • Umbach[a]
four:06
12. "Girl in the Mirror" Elofsson
  • Magnusson
  • Kreuger
3:36
13. "You Got It All" Holmes White iv:10
14. "Heart"
  • George Teren
  • Wilde
  • Lunt
  • Campbell
3:31
15. "Dear Diary"
  • Spears
  • Blume
  • Wilde
  • Allen
  • Eastmond
ii:46
Total length: 55:34
Oops!... I Did It Again  – Australian special edition (bonus disc)[98]
No. Title Length
one. "Don't Allow Me Be the Last to Know" (Album version) three:50
2. "Don't Permit Me Be the Last to Know" (Hex Hector Radio Mix) four:01
three. "Don't Allow Me Be the Last to Know" (Hex Hector Guild Mix) 10:12
4. "Stronger" (MacQuayle Mix Prove Edit) v:21
5. "Stronger" (Pablo La Rosa's Tranceformation) vii:21
6. "Oops!... I Did It Again" (Music video) 4:11
7. "Lucky" (Music video) four:07
8. "Stronger" (Music video) 3:37
9. "Don't Let Me Be the Final to Know" (Music video) 3:51
Total length: 30:52
Oops!... I Did Information technology Over again  – Asian special edition (bonus disc)[99]
No. Championship Length
ane. "Oops!... I Did It Again" (Music video) 4:20
two. "Lucky" (Music video) iv:14
3. "Stronger" (Music video) 3:47
four. "Oops!... I Did It Again" (Karaoke) 4:17
5. "Lucky" (Karaoke) 4:eighteen
half-dozen. "Stronger" (Karaoke) 3:46
Full length: 25:25

Notes

  • Track iv, "(I Tin't Get No) Satisfaction" is a cover of the 1965 Rolling Stones single.
  • ^a signifies a song producer

Personnel [edit]

Credits adapted from AllMusic.[100]

  • Britney Spears – vocals, background vocals, spoken words, concept
  • Steve Lunt - A&R, composer, producer, string arrangements
  • Jeanne LeBlanc – cello
  • Jesse Levy – cello
  • Kermit Moore – cello
  • Eugene J. Moye – cello
  • Harvey Stonemason, Sr. – editing
  • Bobby Dark-brown – assistant engineer
  • Flip Osman – assistant engineer
  • Clayton Woods – banana engineer
  • Anthony Ruotolo – assistant engineer
  • Alfred Bosco – assistant engineer
  • Shane Stoneback – assistant engineer
  • Charles McCrorey – engineer, assistant engineer
  • Michel Gallone – engineer, mixing engineer
  • Chris Trevett – engineer, song engineer, mixing engineer
  • Eric Gast – engineer
  • Tim Donovan – engineer
  • Harvey Mason, Jr. – engineer
  • Dan Gellert – engineer
  • John Amatiello – engineer
  • Stephen George – mixing engineer
  • Dexter Simmons – mixing engineer
  • Chris Tergesen – string engineer
  • Michael Tucker – song engineer
  • Jackie Murphy – fine art direction, design
  • Marking Seliger – back cover, comprehend photo
  • Larry "Rock" Campbell – bass, guitar, producer, pulsate programming
  • Marji Danilow, Judith Sugarman, Thomas Lindberg – bass
  • Esbjörn Öhrwall – guitar
  • Johan Carlberg – guitar
  • Michael Thompson – guitar
  • Kali – hair stylist
  • Gloria Agostini – harp
  • Max Martin – keyboards, programming, producer, mixing engineer, spoken give-and-take
  • Robert "Esmail" Jazayeri – keyboards, producer, drum programming
  • Per Magnusson – keyboards, programming, producer, mixing engineer
  • Jake – keyboards, programming, producer, mixing engineer
  • Kristian Lundin – keyboards, programming, producer, mixing engineer
  • Rami – keyboards, programming, producer, mixing engineer
  • David Kreuger – keyboards, programming, producer, mixing engineer
  • Kent Forest – keyboards
  • Elan Bongiorno – brand-upward
  • Johnny Wright – management
  • Tom Coyne – mastering
  • Nigel Light-green – mixing
  • Jon Ragel – photography
  • Barry Eastmond – piano, conductor, keyboards, producer, engineer, orchestral arrangements
  • Rodney Jerkins – producer, engineer, vocal arrangement, mixing engineer
  • Robert John – producer
  • Timmy Allen – producer
  • Richard Meyer aka Swayd – programming
  • Cory Churko – programming
  • Kevin Churko – programming
  • William Meade – string coordinator
  • Hayley Loma – stylist
  • Alfred V. Dark-brown – viola, orchestra contractor
  • Julien Hairdresser – viola
  • Olivia Koppell – viola
  • Harry Zaratzian – viola
  • Maxine Roach – viola
  • Stephanie Baer – viola
  • Richard Henrickson – violin, concertmaster
  • Sanford Allen – violin
  • Belinda Whitney-Barratt – violin
  • Sandra Billingslea – violin
  • Winterton Garvey – violin
  • Gerald Tarack – violin
  • Joyce Hammann – violin
  • Stanley Hunte – violin
  • Regis Iandiorio – violin
  • Gene Orloff – violin
  • Marion Pinhiero – violin
  • Marti Sweetness – violin
  • Amahid Ajemian – violin
  • Xin Zhao – violin
  • Margaret Magill – violin
  • Ashley Horne – violin
  • Nikki Gregoroff – groundwork vocals
  • Audrey Martells – background vocals
  • Nana Hedin – background vocals
  • Darryl Anthony – background vocals
  • Nora Payne – groundwork vocals
  • Jeanette Söderholm – background vocals
  • Therese Ancker – groundwork vocals
  • Charlotte Björkman – background vocals
  • Andres Von Hofsten – groundwork vocals
  • Nina Woodford – groundwork vocals
  • Mona Yacoub – background vocals
  • Jeanette Olsson – background vocals
  • Stephanie Baer – background vocals

Charts [edit]

Certifications and sales [edit]

Release history [edit]

Meet also [edit]

  • List of acknowledged albums
  • List of best-selling albums by women
  • Listing of all-time-selling albums in the United States
  • List of fastest-selling albums

Notes [edit]

  1. ^ As of December 2010, Oops!...I Did Information technology Once more has sold 9,201,000 copies in the United states according to Nielsen SoundScan,[186] with additional ane,210,000 copies sold at BMG Music Clubs.[89] Nielsen SoundScan does not count copies sold through clubs like the BMG Music Service, which were significantly pop in the 1990s.[90]

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Bibliography [edit]

  • Salaverri, Fernando (2005). Sólo éxitos. Año a año. 1959-2002 [Only Hits. Yr by year. 1959-2002] (in Spanish). Madrid, Spain: Iberautor Promociones Culturales. p. 943. ISBN9788480486392.

External links [edit]

  • Official website

albaradociary1948.blogspot.com

Source: https://en.wikipedia.org/wiki/Oops%21..._I_Did_It_Again_%28album%29

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